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Federico De Matteis: "Suggestions of Movement – Atmospheric techniques in Carlo Scarpa's museum designs". In archimaera#8 (2019). (urn:nbn:de:0009-21-49500)

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%0 Journal Article
%T Suggestions of Movement – Atmospheric techniques in Carlo Scarpa's museum designs
%A De Matteis, Federico
%J archimaera
%D 2019
%V 2019
%N 8
%@ 1865-7001
%F de matteis2019
%X The museum spaces of Carlo Scarpa are deeply rooted in first-person experience, through the sensuous use of materials and a sophisticated interaction between architectural features and exhibited objects. This paper investigates how the architect leveraged suggestions of movement implicit in the expressive qualities of human figures, particularly statues, to provide visitors with an affectively charged experience of space. Scarpa exploited the statues’ gestures and gaze to establish a corporeal communication with subjects, creating theatrical situations that exude atmosphere. By analyzing three of his designs – Palazzo Abatellis in Palermo, Castelvecchio in Verona, and the Canova Museum extension in Possagno – through the lens of suggestions of movement, the study intends to highlight the dynamics of these “atmospheric generators”, clarifying some characters of Scarpa’s work that remain otherwise opaque to critical appraisal.
%L 720
%U http://nbn-resolving.de/urn:nbn:de:0009-21-49500

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Bibtex

@Article{dematteis2019,
  author = 	"De Matteis, Federico",
  title = 	"Suggestions of Movement -- Atmospheric techniques in Carlo Scarpa's museum designs",
  journal = 	"archimaera",
  year = 	"2019",
  volume = 	"2019",
  number = 	"8",
  abstract = 	"The museum spaces of Carlo Scarpa are deeply rooted in first-person experience, through the sensuous use of materials and a sophisticated interaction between architectural features and exhibited objects. This paper investigates how the architect leveraged suggestions of movement implicit in the expressive qualities of human figures, particularly statues, to provide visitors with an affectively charged experience of space. Scarpa exploited the statues' gestures and gaze to establish a corporeal communication with subjects, creating theatrical situations that exude atmosphere. By analyzing three of his designs -- Palazzo Abatellis in Palermo, Castelvecchio in Verona, and the Canova Museum extension in Possagno -- through the lens of suggestions of movement, the study intends to highlight the dynamics of these ``atmospheric generators'', clarifying some characters of Scarpa's work that remain otherwise opaque to critical appraisal.",
  issn = 	"1865-7001",
  url = 	"http://nbn-resolving.de/urn:nbn:de:0009-21-49500"
}

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RIS

TY  - JOUR
AU  - De Matteis, Federico
PY  - 2019
DA  - 2019//
TI  - Suggestions of Movement – Atmospheric techniques in Carlo Scarpa's museum designs
JO  - archimaera
VL  - 2019
IS  - 8
AB  - The museum spaces of Carlo Scarpa are deeply rooted in first-person experience, through the sensuous use of materials and a sophisticated interaction between architectural features and exhibited objects. This paper investigates how the architect leveraged suggestions of movement implicit in the expressive qualities of human figures, particularly statues, to provide visitors with an affectively charged experience of space. Scarpa exploited the statues’ gestures and gaze to establish a corporeal communication with subjects, creating theatrical situations that exude atmosphere. By analyzing three of his designs – Palazzo Abatellis in Palermo, Castelvecchio in Verona, and the Canova Museum extension in Possagno – through the lens of suggestions of movement, the study intends to highlight the dynamics of these “atmospheric generators”, clarifying some characters of Scarpa’s work that remain otherwise opaque to critical appraisal.
SN  - 1865-7001
UR  - http://nbn-resolving.de/urn:nbn:de:0009-21-49500
ID  - de matteis2019
ER  - 
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Wordbib

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ISI

PT Journal
AU De Matteis, F
TI Suggestions of Movement – Atmospheric techniques in Carlo Scarpa's museum designs
SO archimaera
PY 2019
VL 2019
IS 8
AB The museum spaces of Carlo Scarpa are deeply rooted in first-person experience, through the sensuous use of materials and a sophisticated interaction between architectural features and exhibited objects. This paper investigates how the architect leveraged suggestions of movement implicit in the expressive qualities of human figures, particularly statues, to provide visitors with an affectively charged experience of space. Scarpa exploited the statues’ gestures and gaze to establish a corporeal communication with subjects, creating theatrical situations that exude atmosphere. By analyzing three of his designs – Palazzo Abatellis in Palermo, Castelvecchio in Verona, and the Canova Museum extension in Possagno – through the lens of suggestions of movement, the study intends to highlight the dynamics of these “atmospheric generators”, clarifying some characters of Scarpa’s work that remain otherwise opaque to critical appraisal.
ER

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Mods

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erstellt von DiPP Admin zuletzt verändert: 22.11.2019 08:14
Mitwirkende: De Matteis, Federico
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