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Douglas Klahr: "Stereocopic Photography Encounters the Staircase". In archimaera#005 (2013). (urn:nbn:de:0009-21-35992)
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%0 Journal Article %T Stereocopic Photography Encounters the Staircase %A Klahr, Douglas %J archimaera %D 2013 %V grenzwertig %N 005 %@ 1865-7001 %F klahr2013 %X The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture. Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay. %L 720 %K Laura Burd Schiavo %K Library of Congress, Washington %K Merleau-Ponty %K Palais de Justice, Brussels %K Tony Garnier %K Underwood & Underwood %K architectural thresholds %K binocular vision %K border %K boundary %K diagonal orientation %K eye-foot-connection %K focus %K haptic essence %K haptic eye %K intermediary zone %K medium %K ocularcentric %K passage %K photography %K planes of vision %K staircase %K stereo depth %K stereoscope %K stereoscopic effect %K stereoview %K three-dimensionality %K threshold %K vision %U http://nbn-resolving.de/urn:nbn:de:0009-21-35992Download
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@Article{klahr2013, author = "Klahr, Douglas", title = "Stereocopic Photography Encounters the Staircase", journal = "archimaera", year = "2013", volume = "grenzwertig", number = "005", keywords = "Laura Burd Schiavo; Library of Congress, Washington; Merleau-Ponty; Palais de Justice, Brussels; Tony Garnier; Underwood {\&} Underwood; architectural thresholds; binocular vision; border; boundary; diagonal orientation; eye-foot-connection; focus; haptic essence; haptic eye; intermediary zone; medium; ocularcentric; passage; photography; planes of vision; staircase; stereo depth; stereoscope; stereoscopic effect; stereoview; three-dimensionality; threshold; vision", abstract = "The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture. Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Op{\'e}ra) in Paris close the essay.", issn = "1865-7001", url = "http://nbn-resolving.de/urn:nbn:de:0009-21-35992" }Download
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TY - JOUR AU - Klahr, Douglas PY - 2013 DA - 2013// TI - Stereocopic Photography Encounters the Staircase JO - archimaera VL - grenzwertig IS - 005 KW - Laura Burd Schiavo KW - Library of Congress, Washington KW - Merleau-Ponty KW - Palais de Justice, Brussels KW - Tony Garnier KW - Underwood & Underwood KW - architectural thresholds KW - binocular vision KW - border KW - boundary KW - diagonal orientation KW - eye-foot-connection KW - focus KW - haptic essence KW - haptic eye KW - intermediary zone KW - medium KW - ocularcentric KW - passage KW - photography KW - planes of vision KW - staircase KW - stereo depth KW - stereoscope KW - stereoscopic effect KW - stereoview KW - three-dimensionality KW - threshold KW - vision AB - The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture. Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay. SN - 1865-7001 UR - http://nbn-resolving.de/urn:nbn:de:0009-21-35992 ID - klahr2013 ER -Download
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ISI
PT Journal AU Klahr, D TI Stereocopic Photography Encounters the Staircase SO archimaera PY 2013 VL grenzwertig IS 005 DE Laura Burd Schiavo; Library of Congress, Washington; Merleau-Ponty; Palais de Justice, Brussels; Tony Garnier; Underwood & Underwood; architectural thresholds; binocular vision; border; boundary; diagonal orientation; eye-foot-connection; focus; haptic essence; haptic eye; intermediary zone; medium; ocularcentric; passage; photography; planes of vision; staircase; stereo depth; stereoscope; stereoscopic effect; stereoview; three-dimensionality; threshold; vision AB The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture. Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay. ERDownload
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Full Metadata
Bibliographisches Zitat | archimaera#005 (2013) | ||
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Titel |
Stereocopic Photography Encounters the Staircase (eng) Traversing Thresholds, Borders and Passages (eng) |
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Autor | Douglas Klahr | ||
Sprache | eng | ||
Zusammenfassung | The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture. Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay. | ||
Freie Schlagworte | Laura Burd Schiavo, Library of Congress, Washington, Merleau-Ponty, Palais de Justice, Brussels, Tony Garnier, Underwood & Underwood, architectural thresholds, binocular vision, border, boundary, diagonal orientation, eye-foot-connection, focus, haptic essence, haptic eye, intermediary zone, medium, ocularcentric, passage, photography, planes of vision, staircase, stereo depth, stereoscope, stereoscopic effect, stereoview, three-dimensionality, threshold, vision | ||
DDC | 720 | 770 | 700 |
Rechte | DPPL | ||
URN: | urn:nbn:de:0009-21-35992 |