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Douglas Klahr: "Stereocopic Photography Encounters the Staircase". In archimaera#005 (2013). (urn:nbn:de:0009-21-35992)

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%0 Journal Article
%T Stereocopic Photography Encounters the Staircase
%A Klahr, Douglas
%J archimaera
%D 2013
%V grenzwertig
%N 005
%@ 1865-7001
%F klahr2013
%X The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture.  Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay.
%L 720
%K Laura Burd Schiavo
%K Library of Congress, Washington
%K Merleau-Ponty
%K Palais de Justice, Brussels
%K Tony Garnier
%K Underwood & Underwood
%K architectural thresholds
%K binocular vision
%K border
%K boundary
%K diagonal orientation
%K eye-foot-connection
%K focus
%K haptic essence
%K haptic eye
%K intermediary zone
%K medium
%K ocularcentric
%K passage
%K photography
%K planes of vision
%K staircase
%K stereo depth
%K stereoscope
%K stereoscopic effect
%K stereoview
%K three-dimensionality
%K threshold
%K vision
%U http://nbn-resolving.de/urn:nbn:de:0009-21-35992

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Bibtex

@Article{klahr2013,
  author = 	"Klahr, Douglas",
  title = 	"Stereocopic Photography Encounters the Staircase",
  journal = 	"archimaera",
  year = 	"2013",
  volume = 	"grenzwertig",
  number = 	"005",
  keywords = 	"Laura Burd Schiavo; Library of Congress, Washington; Merleau-Ponty; Palais de Justice, Brussels; Tony Garnier; Underwood {\&} Underwood; architectural thresholds; binocular vision; border; boundary; diagonal orientation; eye-foot-connection; focus; haptic essence; haptic eye; intermediary zone; medium; ocularcentric; passage; photography; planes of vision; staircase; stereo depth; stereoscope; stereoscopic effect; stereoview; three-dimensionality; threshold; vision",
  abstract = 	"The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture.  Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Op{\'e}ra) in Paris close the essay.",
  issn = 	"1865-7001",
  url = 	"http://nbn-resolving.de/urn:nbn:de:0009-21-35992"
}

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RIS

TY  - JOUR
AU  - Klahr, Douglas
PY  - 2013
DA  - 2013//
TI  - Stereocopic Photography Encounters the Staircase
JO  - archimaera
VL  - grenzwertig
IS  - 005
KW  - Laura Burd Schiavo
KW  - Library of Congress, Washington
KW  - Merleau-Ponty
KW  - Palais de Justice, Brussels
KW  - Tony Garnier
KW  - Underwood & Underwood
KW  - architectural thresholds
KW  - binocular vision
KW  - border
KW  - boundary
KW  - diagonal orientation
KW  - eye-foot-connection
KW  - focus
KW  - haptic essence
KW  - haptic eye
KW  - intermediary zone
KW  - medium
KW  - ocularcentric
KW  - passage
KW  - photography
KW  - planes of vision
KW  - staircase
KW  - stereo depth
KW  - stereoscope
KW  - stereoscopic effect
KW  - stereoview
KW  - three-dimensionality
KW  - threshold
KW  - vision
AB  - The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture.  Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay.
SN  - 1865-7001
UR  - http://nbn-resolving.de/urn:nbn:de:0009-21-35992
ID  - klahr2013
ER  - 
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Wordbib

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<b:Comments>The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture.  Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay.</b:Comments>
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ISI

PT Journal
AU Klahr, D
TI Stereocopic Photography Encounters the Staircase
SO archimaera
PY 2013
VL grenzwertig
IS 005
DE Laura Burd Schiavo; Library of Congress, Washington; Merleau-Ponty; Palais de Justice, Brussels; Tony Garnier; Underwood & Underwood; architectural thresholds; binocular vision; border; boundary; diagonal orientation; eye-foot-connection; focus; haptic essence; haptic eye; intermediary zone; medium; ocularcentric; passage; photography; planes of vision; staircase; stereo depth; stereoscope; stereoscopic effect; stereoview; three-dimensionality; threshold; vision
AB The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture.  Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay.
ER

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Mods

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  <titleInfo>
    <title>Stereocopic Photography Encounters the Staircase</title>
  </titleInfo>
  <name type="personal">
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  <abstract>The staircase is presented as the architectural component that most potently embodies thresholds, boundaries and passages due to its diagonal orientation and essence as an intermediary zone. Connections then are made between the kinesthetic requirements of traversing a staircase and viewing a stereoscopic photograph. From this foundation, the haptic essence of stereoscopic photography is proposed as uniquely qualified medium through which to view a staircase and therefore thresholds, boundaries, and passages within architecture.  Analyses of stereoviews of staircases in the Palais de Justice in Brussels, the Library of Congress in Washington, and the Palais Garnier (Opéra) in Paris close the essay.</abstract>
  <subject>
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    <topic>Library of Congress, Washington</topic>
    <topic>Merleau-Ponty</topic>
    <topic>Palais de Justice, Brussels</topic>
    <topic>Tony Garnier</topic>
    <topic>Underwood &amp; Underwood</topic>
    <topic>architectural thresholds</topic>
    <topic>binocular vision</topic>
    <topic>border</topic>
    <topic>boundary</topic>
    <topic>diagonal orientation</topic>
    <topic>eye-foot-connection</topic>
    <topic>focus</topic>
    <topic>haptic essence</topic>
    <topic>haptic eye</topic>
    <topic>intermediary zone</topic>
    <topic>medium</topic>
    <topic>ocularcentric</topic>
    <topic>passage</topic>
    <topic>photography</topic>
    <topic>planes of vision</topic>
    <topic>staircase</topic>
    <topic>stereo depth</topic>
    <topic>stereoscope</topic>
    <topic>stereoscopic effect</topic>
    <topic>stereoview</topic>
    <topic>three-dimensionality</topic>
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    <topic>vision</topic>
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        <number>005</number>
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  <identifier type="citekey">klahr2013</identifier>
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erstellt von Douglas Klahr zuletzt verändert: 19.11.2019 09:57
Mitwirkende: Klahr, Douglas
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