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Scott Budzynski: "Potential Cities_". In archimaera#006 (2015). (urn:nbn:de:0009-21-42533)
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%0 Journal Article %T Potential Cities_ %A Budzynski, Scott %J archimaera %D 2015 %V einfügen %N 006 %@ 1865-7001 %F budzynski2015 %X Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city. %L 720 %K CIAM %K Casabella %K Collage %K Domus %K Ernesto Nathan Rogers %K Grafting %K Italian Modernism %K Milan %K Montage %K Object Relations Theory %K Pier Bottoni %K Pirelli Tower %K Potentiality %K QT8, Quartiere Triennale 8 %K Studio BBPR %K The Rationalists %K Torre Velsaca %K Urban Representation %U http://nbn-resolving.de/urn:nbn:de:0009-21-42533Download
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@Article{budzynski2015, author = "Budzynski, Scott", title = "Potential Cities{\_}", journal = "archimaera", year = "2015", volume = "einf{\"u}gen", number = "006", keywords = "CIAM; Casabella; Collage; Domus; Ernesto Nathan Rogers; Grafting; Italian Modernism; Milan; Montage; Object Relations Theory; Pier Bottoni; Pirelli Tower; Potentiality; QT8, Quartiere Triennale 8; Studio BBPR; The Rationalists; Torre Velsaca; Urban Representation", abstract = "Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan's postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.", issn = "1865-7001", url = "http://nbn-resolving.de/urn:nbn:de:0009-21-42533" }Download
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TY - JOUR AU - Budzynski, Scott PY - 2015 DA - 2015// TI - Potential Cities_ JO - archimaera VL - einfügen IS - 006 KW - CIAM KW - Casabella KW - Collage KW - Domus KW - Ernesto Nathan Rogers KW - Grafting KW - Italian Modernism KW - Milan KW - Montage KW - Object Relations Theory KW - Pier Bottoni KW - Pirelli Tower KW - Potentiality KW - QT8, Quartiere Triennale 8 KW - Studio BBPR KW - The Rationalists KW - Torre Velsaca KW - Urban Representation AB - Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city. SN - 1865-7001 UR - http://nbn-resolving.de/urn:nbn:de:0009-21-42533 ID - budzynski2015 ER -Download
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ISI
PT Journal AU Budzynski, S TI Potential Cities_ SO archimaera PY 2015 VL einfügen IS 006 DE CIAM; Casabella; Collage; Domus; Ernesto Nathan Rogers; Grafting; Italian Modernism; Milan; Montage; Object Relations Theory; Pier Bottoni; Pirelli Tower; Potentiality; QT8, Quartiere Triennale 8; Studio BBPR; The Rationalists; Torre Velsaca; Urban Representation AB Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city. ERDownload
Mods
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Full Metadata
Bibliographisches Zitat | archimaera#006 (2015) |
---|---|
Titel |
Potential Cities_ (eng) |
Autor | Scott Budzynski |
Sprache | eng |
Zusammenfassung | Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city. |
Freie Schlagworte | CIAM, Casabella, Collage, Domus, Ernesto Nathan Rogers, Grafting, Italian Modernism, Milan, Montage, Object Relations Theory, Pier Bottoni, Pirelli Tower, Potentiality, QT8, Quartiere Triennale 8, Studio BBPR, The Rationalists, Torre Velsaca, Urban Representation |
DDC | 720 |
Rechte | DPPL |
URN: | urn:nbn:de:0009-21-42533 |
erstellt von Scott Budzynski
zuletzt verändert:
18.11.2019 13:20
Mitwirkende: Budzynski, Scott
DPPL