Benutzerspezifische Werkzeuge
Artikelaktionen

Zitierweise und Metadaten

Empfohlene Zitierweise

Scott Budzynski: "Potential Cities_". In archimaera#006 (2015). (urn:nbn:de:0009-21-42533)

Download Citation

Endnote

%0 Journal Article
%T Potential Cities_
%A Budzynski, Scott
%J archimaera
%D 2015
%V einfĂĽgen
%N 006
%@ 1865-7001
%F budzynski2015
%X Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.
%L 720
%K CIAM
%K Casabella
%K Collage
%K Domus
%K Ernesto Nathan Rogers
%K Grafting
%K Italian Modernism
%K Milan
%K Montage
%K Object Relations Theory
%K Pier Bottoni
%K Pirelli Tower
%K Potentiality
%K QT8, Quartiere Triennale 8
%K Studio BBPR
%K The Rationalists
%K Torre Velsaca
%K Urban Representation
%U http://nbn-resolving.de/urn:nbn:de:0009-21-42533

Download

Bibtex

@Article{budzynski2015,
  author = 	"Budzynski, Scott",
  title = 	"Potential Cities{\_}",
  journal = 	"archimaera",
  year = 	"2015",
  volume = 	"einf{\"u}gen",
  number = 	"006",
  keywords = 	"CIAM; Casabella; Collage; Domus; Ernesto Nathan Rogers; Grafting; Italian Modernism; Milan; Montage; Object Relations Theory; Pier Bottoni; Pirelli Tower; Potentiality; QT8, Quartiere Triennale 8; Studio BBPR; The Rationalists; Torre Velsaca; Urban Representation",
  abstract = 	"Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan's postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.",
  issn = 	"1865-7001",
  url = 	"http://nbn-resolving.de/urn:nbn:de:0009-21-42533"
}

Download

RIS

TY  - JOUR
AU  - Budzynski, Scott
PY  - 2015
DA  - 2015//
TI  - Potential Cities_
JO  - archimaera
VL  - einfĂĽgen
IS  - 006
KW  - CIAM
KW  - Casabella
KW  - Collage
KW  - Domus
KW  - Ernesto Nathan Rogers
KW  - Grafting
KW  - Italian Modernism
KW  - Milan
KW  - Montage
KW  - Object Relations Theory
KW  - Pier Bottoni
KW  - Pirelli Tower
KW  - Potentiality
KW  - QT8, Quartiere Triennale 8
KW  - Studio BBPR
KW  - The Rationalists
KW  - Torre Velsaca
KW  - Urban Representation
AB  - Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.
SN  - 1865-7001
UR  - http://nbn-resolving.de/urn:nbn:de:0009-21-42533
ID  - budzynski2015
ER  - 
Download

Wordbib

<?xml version="1.0" encoding="UTF-8"?>
<b:Sources SelectedStyle="" xmlns:b="http://schemas.openxmlformats.org/officeDocument/2006/bibliography"  xmlns="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" >
<b:Source>
<b:Tag>budzynski2015</b:Tag>
<b:SourceType>ArticleInAPeriodical</b:SourceType>
<b:Year>2015</b:Year>
<b:PeriodicalTitle>archimaera</b:PeriodicalTitle>
<b:Volume>einfĂĽgen</b:Volume>
<b:Issue>006</b:Issue>
<b:Url>http://nbn-resolving.de/urn:nbn:de:0009-21-42533</b:Url>
<b:Author>
<b:Author><b:NameList>
<b:Person><b:Last>Budzynski</b:Last><b:First>Scott</b:First></b:Person>
</b:NameList></b:Author>
</b:Author>
<b:Title>Potential Cities_</b:Title>
<b:Comments>Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.</b:Comments>
</b:Source>
</b:Sources>
Download

ISI

PT Journal
AU Budzynski, S
TI Potential Cities_
SO archimaera
PY 2015
VL einfĂĽgen
IS 006
DE CIAM; Casabella; Collage; Domus; Ernesto Nathan Rogers; Grafting; Italian Modernism; Milan; Montage; Object Relations Theory; Pier Bottoni; Pirelli Tower; Potentiality; QT8, Quartiere Triennale 8; Studio BBPR; The Rationalists; Torre Velsaca; Urban Representation
AB Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.
ER

Download

Mods

<mods>
  <titleInfo>
    <title>Potential Cities_</title>
  </titleInfo>
  <name type="personal">
    <namePart type="family">Budzynski</namePart>
    <namePart type="given">Scott</namePart>
  </name>
  <abstract>Buildings and urban construction are understood in this paper as representations of the city. Their meanings, however, are often invisible, positing unrealized urban visions, which are both imbedded in and which call up chains of associations expressing desires and fears. Narratives of what the city should be often contain the rejection of the existing urban situation. Understanding architectural objects as potential underscores their imaginary nature. Freud, for example, uses the Roman ruins in Civilization and its Discontents (1929) as a means to imagine stages of history. Yet, meanings of the new can also be covered over and layered. Milan is a city with fragments of the new, which once projected an ideal urban space into the future. The potentiality of Milan’s postwar urban objects is analyzed in relationship to narratives of the city and insertion is framed as an imagining into the city.</abstract>
  <subject>
    <topic>CIAM</topic>
    <topic>Casabella</topic>
    <topic>Collage</topic>
    <topic>Domus</topic>
    <topic>Ernesto Nathan Rogers</topic>
    <topic>Grafting</topic>
    <topic>Italian Modernism</topic>
    <topic>Milan</topic>
    <topic>Montage</topic>
    <topic>Object Relations Theory</topic>
    <topic>Pier Bottoni</topic>
    <topic>Pirelli Tower</topic>
    <topic>Potentiality</topic>
    <topic>QT8, Quartiere Triennale 8</topic>
    <topic>Studio BBPR</topic>
    <topic>The Rationalists</topic>
    <topic>Torre Velsaca</topic>
    <topic>Urban Representation</topic>
  </subject>
  <classification authority="ddc">720</classification>
  <relatedItem type="host">
    <genre authority="marcgt">periodical</genre>
    <genre>academic journal</genre>
    <titleInfo>
      <title>archimaera</title>
    </titleInfo>
    <part>
      <detail type="volume">
        <number>einfĂĽgen</number>
      </detail>
      <detail type="issue">
        <number>006</number>
      </detail>
      <date>2015</date>
    </part>
  </relatedItem>
  <identifier type="issn">1865-7001</identifier>
  <identifier type="urn">urn:nbn:de:0009-21-42533</identifier>
  <identifier type="uri">http://nbn-resolving.de/urn:nbn:de:0009-21-42533</identifier>
  <identifier type="citekey">budzynski2015</identifier>
</mods>
Download

Full Metadata

erstellt von Scott Budzynski zuletzt verändert: 18.11.2019 13:20
Mitwirkende: Budzynski, Scott
DPPL